Mark Turner, Larry Grenadier and Jeff Ballard.

Iain Ballamy and Thomas Strønen, joined by Christian Fennesz. ‘Powerful grooves, evocative textures and exploratory improvisation, sometimes hypnotically insistent, sometimes turbulent.’
‘Heavier, drier, connecting more with how we actually sound live,’ says Strønen.

Ravishing, melodic and lyrical, but also poised and alert piano-playing.

His lovely, lyrical jazz trumpet-playing blended with the Corsican polyphony of A Filetta, and the bandoneon of Daniele Di Bonaventura, in the tradition of Miles’ take on Rodrigues’ Concierto de Aranjuez.

Gibson semi-acoustic and double-bass duets — a Fats Domino, a Konitz and a Motian, various originals, Goldfinger, Carter Family Americana — recorded live at the Village Vanguard in 2016.

Mick Goodrick guitar, Pat Metheny guitars, Steve Swallow bass guitar, Bob Moses percussion, Eberhard Weber bass.

With bassist Mats Eilertsen and saxophonist Tore Brunborg — and introducing the seductive, bluesy voice of Kristin Asbjornsen on Tord’s settings of the poetry of W.H. Auden.

With Steve Coleman, Julian Priester, Marvin Smitty Smith and Kenny Wheeler.

Brilliant piano-trio jazz; warmly recommended.
‘Break Stuff’: what happens after formal considerations… a time for action… breakdowns, breakbeats, break dancing…
Hood is a humbly bamboozled tribute to Robert Hood. Work is for Iyer’s beloved Thelonious Monk. Countdown sets Trane to a West African rhythm. Mystery Woman is driven by the compound pulses of South Indian drumming. There’s a desolate, barely-there solo version of Billy Strayhorn’s Blood Count…