Manuel Villarroel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. He rapidly decided to remain in Europe, to pursue his musical career. The following year, the pianist formed a quartet in Paris with saxophonist Jef Sicard (from the Dharma Quintet to be), adding Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass), and Jean-Louis Méchali (drums). With the arrival of Sonny Grey, a Jamaican trumpeter who had collaborated ten years earlier with Daniel Humair, they were ready.
On May 8, 1971, the Septet Matchi-Oul was in the studio for Gérard Terronès’ Futura label. recording seven of Villarroel’s compositions.

Vibraphone and soprano saxophone.

His first album simply under his own name, from 2022. ‘In a quieter, more meditative space than the pulsing, driving material found in his other groups Sons of Kemet, The Comet Is Coming, Shabaka and The Ancestors.’

1967 — Rudd and Moncur, Jimmy Garrison (an unmissable solo overture), and Beaver Harris, tearing like a tornado into three-quarters-of-an-hour of One For The Trane.

Shepp’s Impulse! debut, co-produced by Coltrane and featuring four of his compositions, arranged for four horns, including Wayne Shorter’s brother Alan, John Tchicai, and the one and only Roswell Rudd.

‘Verve By Request.’