‘Venomous Tex-Mex R&B and early rock n’roll from San Antonio’s West Side scene. From 1961-67, Bexar county kingmaker Abe Epstein cut every teen combo to grace the Patio Andaluz stage, launching the careers of Doug Sahm, The Royal Jesters, Sonny Ace, The Dreamliners, and hundreds more throughout the decade.’

Red hot gospel soul from 1983. Only ever issued as a test white-label; never before released commercially.
Plus some classic early-eighties soul vibes on the flip, as Helen Hollins — from James Cleveland’s Southern California Community Choir— magnificently busts loose Burt Bacharach, strutting resplendently onto the dancefloor with her dad, husband and two daughters Alicia and Francheasca in glorious cahoots.
Lovely spot-glossed sleeve.
Devilishly limited, all three of our Savoy singles.

Jazz, soul and rhythm and blues by this pivotal figure, from the LPs Live At The Flamingo, and Sound Venture, with the cream of UK jazzmen. Swinging Soho does Stax, Latin, Stevie, Louis Jordan, Mose, Oscar Brown…

Stokes, Memphis Minnie, Furry Lewis, Gus Cannon and co. 180g, well-pressed.

A survey of Nashboro Records gospel, by Mike McGonigal of the Detroit Gospel Reissue Project.

Superb, mid-eighties, soulful gospel, with popping bass and amazing singing; obscure but musically right up there with the Winans, DJ Rogers, Vanessa Bell Armstrong and co, from the same bountiful vintage.

Bumptious sauce recorded for Paramount in 1929 by different lineups including Leroy Carr, Scrapper Blackwell, Tampa Red and Blind Blake, and Bob Robinson on banjo and clarinet. Archetypal Crumb; 180g.

A second helping as sublimely pleasurable as the first, with Prince Buster, Rupie Edwards, Derrick Harriott, Dobby Dobson and Joe Higgs amongst the singers.
‘Enthralling to anyone,’ according to The Guardian.

An anti-war garage-punk onslaught from 1966, doing Bo Diddley proud.
Backed here by The Leaves (plus drummer Don Conka from Love), BJ knocked around with everyone from the Rolling Stones to Frank Zappa.
Anyway… they brought it to Jerome.

45s and LPs spanning the period 1964-1973, including his long-lost album debut. The original material here trumps the folk chestnuts. Alasdair Roberts does Lord Randall a lot better, has to be said.