Her 1956 Atlantic debut, key to the splitting of jazz singing into rhythm and blues and soul. Lavern was Memphis Minnie’s niece. Her stage-name in her teens was ‘Miss Sharecropper’.

For Your Precious Love started out as a Bandera recording (subsequently leased to Vee-Jay), made by co-owner Vi Muszynski — and there are eleven Impressions sides here, seven of them previously unissued.

Hats off every time to the founding father of New Orleans rhythm and blues. DB holds the master recipe for soul-ska-rhumba-blues gumbo. Just check the tracklisting for a sense of his achievement. Don.

Classic New Orleans rhythm and blues, same cloth as Lee Dorsey and Ernie K Doe, before funk got a hold.

‘The best black, gay, one-eyed junkie piano genius New Orleans has ever produced,’ says Dr John.
The first half of this disc gathers all the sevens Booker cut under his own name at the start of his career, for labels like Imperial, Chess, Ace and Peacock, already evincing his inimitable blend of R&B, gospel, blues, boogie woogie and jazz. The second half features legends like Dave Bartholomew and Joe Tex, during the same period, with Booker as sideman. The likes of Lee Allen, Alvin ‘Red’ Tyler chip in.

Sensational Texan guitar blues. Gatemouth comes out of T-Bone Walker. Don Robey started the Peacock label, just to put his records out. Without Clarence there is no Johnny Guitar Watson. Killer, killer, killer.

If you get just one Ray Charles to start with, we’d recommend this, gathering together his bluesier cuts for the label, at the end of his stay.
The almighty, pitch-dark I Believe To My Soul is here, for example. Everybody needs a copy handy for emergencies.
‘Last night you were dreaming and I heard you say “Oh, Johnny”, when you know my name is Ray. That’s why I believe right now (I believe, yes, I believe), I say I believe right now (I believe, yes, I believe), well, I believe to my soul now… You’re tryin’ to make a fool of me. (I believe it).’

Almighty God himself, with two prime Checkers, and five extras. Have Guitar is just awesome stuff. You don’t know diddley if you don’t know Diddley.

Rocking Fat Man Imperials, obscure but genius.

‘Venomous Tex-Mex R&B and early rock n’roll from San Antonio’s West Side scene. From 1961-67, Bexar county kingmaker Abe Epstein cut every teen combo to grace the Patio Andaluz stage, launching the careers of Doug Sahm, The Royal Jesters, Sonny Ace, The Dreamliners, and hundreds more throughout the decade.’

Jazz, soul and rhythm and blues by this pivotal figure, from the LPs Live At The Flamingo, and Sound Venture, with the cream of UK jazzmen. Swinging Soho does Stax, Latin, Stevie, Louis Jordan, Mose, Oscar Brown…

Hank Jacobs was an accomplished West coast keyboard player, who smashed it with So Far Away in 1964.
One of his four releases on Alton Scott’s LA-based Call Me label, the slamming Elijah Rockin’ With Soul is a Northern favourite; whilst the more sophisticated, cool, sunroof-down East Side is a Popcorn and Lowrider go-to.