Fine roots from 1986, with a dose of Burning Spear in the singing. Produced by the Blackheart Man, favoured by Shaka.

Aka Olive Grant — the same Senya who broke through at Randys in 1974 with Oh Jah Come and Children Of The Ghetto — with The Wailers backing.

This beautiful acoustic cut is previously unissued. Raw soulful lovers, with close-harmony backing, and double bass and guitar as irresistible as Egyptian Reggae. Terrific.

Killer roots detournement of Georgia Turner‘s dread blues about a New Orleans brothel, to the tune of a seventeenth-century English folk song, by way of Bob Dylan, Nina Simone and The Animals.
Bunny Gale revives another folk song on the flip — Dead Man’s Chest — via The Viceroys’ classic Studio One outing.
More crucial Keith Hudson runnings, courtesy of Dub Store in Tokyo.

Brawny, get-onboard rocksteady, with nyabinghi drumming throughout — including a tasty break. A first sighting of Solomon, from Police And Thieves.

Hard to resist Junior Murvin in this teasing, saucy mood, on a lovely nyabinghi rocksteady rhythm.
With an alternate take.

Rollicking, mid-sixties, post-Skatalites ska thriller, led by Bobby Ellis and Roland Alphonso, with slightly different soloing to the original release.
Backed with a charming, forsaken, rare Summertairs: ‘I love you, Errol… come back today… but not too late… Errol, my dear.’

Stone cold murder. Archetypal, slow-mo, eastern-sounds post-ska from Jackie Mittoo, Dizzy Moore, Roland Alphonso and co, around 1965.

With a sweet Hamlins on the flip.

Scorcher. Ska at the threshold of rocksteady. Mittoo and Dizzy Moore do it to it.

Stupendous rendition of a Chinese folk song over red-hot rocksteady, produced by Ronnie Narsalla in 1967. Aimed at the Chinese community in Kingston; super-rare ever since.
Pure worries. The guaranteed musical detonation of any kind of dance or party.
Cheng, evidently, not Chang. Essential reading, here.