Rocking digital roots from Derwin Dawes, Donald Marshall and Anthony ‘Ringo Paul’ Hill — aka the Mighty Rulers, aka D’Nations — recorded in 1998, though never released before on vinyl.

Exclusive mixes of key versions in the TS mission so far, dub-plate style.

The first volume in a two-part collection of pirate radio adverts & idents, assembled from home recordings of London stations made between 1984 & 1993.

‘Back in the early ‘90s, whenever the pirate radio MC announced ‘a pause for the cause’, I usually pressed pause on my cassette recorder. That’s something I would regret years later, when ad breaks had become cherished mementos of the hardcore rave era. Luckily, back in the day I often left the tape running while I went off to do something else. So a fair number of ad breaks got captured accidentally for my later delectation. Not nearly enough, though. So in recent years I started combing through the immense number of pirate radio sets archived on the internet.
‘A few of my original unintended ‘saves’ and latterday ‘finds’ are included in this wonderful collection, focusing on the audio equivalent of the rave flyer: MCs breathlessly hyping a club night or upcoming rave, listing the lineup of deejays and MCs, boasting about hi-tech attractions like lasers and projections, mentioning prices and nearest landmarks to the venue, and occasionally promising ‘clean toilets’ and ‘tight but polite security’. Some of these ads are etched into my brain as lividly as the classic hardcore and jungle tunes of that time. Names of deejays ring out like mythological figures: Shaggy & Breeze, Kieran the Herbalist, Tinrib, Food Junkie…
‘These ads capture the hustling energy of an underground micro-economy; but most of all they are hard hits of pure nostalgic pleasure, amusing and thrilling through their blend of period charm, endearing amateurism, and contagiously manic excitement about rave music’s forward-surge into an unknown future. The best of these ads give me a memory-rush to rival the top tunes and MC routines of the era’ (Simon Reynolds).