From 1972, with Ra on organ throughout — trading solos with Gilmore and trumpeter Kwame Hadi on the bluesy title cut; duetting with drummer Luqman Ali on In A Blue Mood. June Tyson stars on Blackman.

Courtesy of Rock A Shacka.

Two Duke Reids: hard-swinging, emotionally distressed rocksteady from Mr Soul Of Jamaica himself, down on his knees, hand on heart; and a terrific version of Gene Chandler’s Duke Of Earl on the flip.

At their chilliest, most magnificent and dread. 
Brilliantly remastered; one-sided.

See Mi Yah remixes. A triumphant series finale.

A brilliant, taut take on vintage Wackies, there on the flip.

Their epochal 1997 masterpiece inaugurating the Rhythm & Sound label.
Half an hour of judge-long-sentence steppers.
A stone masterpiece of modern dub, towering over the field till kingdom come.

Thirteen and twenty-two minute slices of carnival thunder and lightning from the hill above Port Of Spain in Trinidad. Lengths of steel, assorted bits of metal, African drums. An Honest Jon’s recording.

A word to the wise from Will Bankhead — ‘I think Ralph’s really underrated, his two records on TTT are probably the best records I’ve put out.’
Both thrashed by Ben UFO and JO, too.

All Depends is an intimate, spare do-over of the Spiderman rhythm which Yellowman smashed with Operation Eradication: eight minutes of yearning and pleading, dosed with the stylings of the original Night Nurse himself.
I Put My Trust swaps religious for amorous devotion: musically it is more characteristically Wackies, reverberating but crisp as a biscuit, stepping but spaced-out. Neither track appears on the LP, Great Jah Jah.
Warehouse find; last box.