Two brilliant contemporary roots productions birthing Out On The Floor’s new imprint. Here, Tuff Rock aka East Londoner Mikey Roots masterminds a raw, luminous cut of Keith Goode’s Jah Jah Deliver Us.

With Culture.

Pure loveliness from 1967 — with an acappella version.

Late-eighties Callo Collins production of the Youth Promotion cohort.

Beautiful mento sufferers for Ronnie Nasralla in 1966. ‘I am the man who fights for the right, not for the wrong.’
People say that’s the first deejay recording on the flip — the wonderful Lord Comic, and his cowboys. ‘Music is real sweet… For your dancing feet.’

Unmissable Maytals, in previously unreleased recordings from 1965.
Toots and co have this Coppa bang to rights — ‘Stop treating the people unkind’ — even before Don D boots him down the street and the hell out of Dodge.

Soundboy vibes over a hard-driving, clattering rhythm.

Fatis digi.
Opening with a Dennis Brown feint, Katt whirls through vegetarianism, military repression, street crime and religious salvation.

From 1964, this tribute to Miles Davis is the great vibes player’s crowning glory (even including his contribution to Roger Troutman’s Unlimited album). A swinging, modal classic, massive on the Dingwalls jazz-dance scene.

This rare roots outing by the lovers specialist is a sweet, heartfelt tribute to the great JA revolutionary. A Lloyd Parks production, with a proper dub.

Two Duke Reids: hard-swinging, emotionally distressed rocksteady from Mr Soul Of Jamaica himself, down on his knees, hand on heart; and a terrific version of Gene Chandler’s Duke Of Earl on the flip.