Late-eighties Callo Collins production of the Youth Promotion cohort.

Two brilliant contemporary roots productions birthing Out On The Floor’s new imprint. Here, Tuff Rock aka East Londoner Mikey Roots masterminds a raw, luminous cut of Keith Goode’s Jah Jah Deliver Us.

Superb roots, tough dub. A dilly from Tilly. Larry nuh tarry.

Pure loveliness from 1967 — with an acappella version.

Two spaced-out, synthed-up, house tearaways; a chunk of totally fucked-up dancehall; dub techno. A guitar solo and tincture of Fleetwood Mac to boot. TTT measures.

The first of two LPs recorded by the vibes player for the Detroit label Tuba, after Riverside went under in 1964.
With regular trio partners organist Milt Harris and drummer Peppy Hinnant; and Wynton Kelly and George Duvivier dropping in.
Featuring a cracking version of Duke Pearson’s Christo Redentor, and grooving rug-cutters Possum Grease and Hot Sauce… besides the stone-classic Dingwalls-floor-filler The Man.

From 1964, this tribute to Miles Davis is the great vibes player’s crowning glory (even including his contribution to Roger Troutman’s Unlimited album). A swinging, modal classic, massive on the Dingwalls jazz-dance scene.

This rare roots outing by the lovers specialist is a sweet, heartfelt tribute to the great JA revolutionary. A Lloyd Parks production, with a proper dub.

Crafted, varied EP from Kenneth Lay and Jason Carr, out of the Metasplice milieu in Philly. A couple of ant nests, a droner with an mbalax tic, and a monster-crunchy, sun-up soundscape. Boot cyan lean.