In the great tradition of his time with Count Ossie, four new grounation furies — hypnotic, thunderous, urgent, mystical — with dubwise repeta, funde and bass drums embedding the Light Of Saba veteran’s gorgeous trombone classicism.
The opener is a rocking kumina rhythm, with ring-the-alarm metal percussion and exhortatory brass; Free The People swirls some apocalyptic reasoning into the foggy, thumping mix. Universe In Crisis is another emergency call, chuffing headlong down the grooves… before the beautiful, anthemic Chant takes a step back from the fire, closing with a sense of thankful, spiritual reconciliation, the expert drumming and lyrical bone-work in full effect.

Two no-flim-flam, cross-border, dub-wise stompers — paired with masterful versions — from the veteran, Kingston-based unit led by the trombonist of Count Ossie’s Mystic Revelation Of Rastafari and The Light Of Saba.

Full, bone-heavy horns, swirling organ and rocking nyabinghi drumming; and with a storming dub.

The second son of King Jammy, Trevor James aka Baby G is at the cutting edge of the new wave of dancehall producers. Jammy’s stalwarts Ward 21 and newcomers Rasta Youth on the mic.

Like a dream, but authoritatively, this remix from Jamaica magnificently crosses the Afrobeat of Fela Kuti with the grounation reggae tradition of Count Ossie.

With Ekoplekz and Andres mixes.

Majestic and immense Cure, on The Heptones’ Give Me The Right rhythm.

This started out a couple of years ago as a grounation drumming session above the old headquarters of the Mystic Revelation Of Rastafari, in Wareika Hill, Kingston, JA. Four funde, a repeta and a bass drum. Back in London, contributing flute and guitar, Kenrick Diggory unbottled the deep rootical psychedelia and sheer awe of Hunting — the Keith-Hudson-versus-Count-Ossie wonder of the world — and Tapes added electronics, a shot of Drum Song… and a giddily intense binghi dub.

Bringing together two sevens originally released in Jamaica on the Afro Black label, in the mid-seventies. Rootical domestics, soulfully delivered, over tight, funky playing. You Let Me Down is Wackies’ sublime Black Harmony rhythm, no less.
Collectors’ heaven, utilising Joe ‘Basement Session’ Morgan’s own imprint Fish Tea, going since the 1980s.

Doomy, futuristic, Channel One rub-a-dub, with sick synths and vocoder courtesy of producer Earl Lindo at Tuff Gong. The Version says everything that needs to be said.
Killer. Strongly recommended.

A dubplate making its 7” debut. The same deep roots vibe as their killer tune Peace Love And Harmony, Engagingly live and direct, with effulgent female background vocals.

This beautiful acoustic cut is previously unissued. Raw soulful lovers, with close-harmony backing, and double bass and guitar as irresistible as Egyptian Reggae. Terrific.

Mesmeric, spare, funky, forward-looking dubs led by the Soul Syndicate drummer.

A short-run reissue of this excellent roots production by Carlton Lewis. Same singer as Jazzbo’s Step Forward.