His masterwork, from 1975. Great songs — a tough mix of mysticism, politics and philosophy — with Robbie Lyn from the Sound Dimension, Geoffrey Chung gently testing the reggae envelope, Clive Hunt from Wackies, a sprinkling of Black Ark, masterful drumming by Horsemouth… and PM’s compelling voice.

Great album this; recommended with infernal heat. Beautiful close-harmony singing, killer tunes, tough rhythms, engaging songs. Junjo at Maxfield Avenue, with the Roots Radics. Heavy and luminous from start to finish.

A late-eighties Bunny Lee production originally released on the Imperial label in Canada, with Rhythm Twins excursions on Death In The Arena, Love Me Forever, My Conversation, Roots Natty Congo, Storm…

Fifteen sides produced by Carl ‘Stereo’ Fletcher for his Uprising and Stereo Beat labels. Quality, mellow, seventies roots, in vocals, toasts and instrumentals. Five previously unreleased recordings in amongst hard-to-finds, and classics like Little Roy’s Christopher Columbus.

Ace 1978 set voiced at King Tubby’s and mixed by Prince Jammy, with Trinity’s younger brother Clint deejaying over tough Aggrovators rhythms like African Roots and Stars, including an excursion on Black Uhuru’s Eden Out There.

Bunny Lee productions from 1977. Tough backing tracks, like Ronnie Davis’ Hard Times, Johnny Clarke’s revivals of Cry Tough and Waiting In Vain, and Cornell Campbell’s War; and steadfast rhythms like The Silvertones’ Smile, a horny Get Ready, and Melody Life.

From 1983, the same year as Jamming In The Street, his unmissable collaboration with Sugar Minott. Kicks off with a Queen Of The Minstrel excursion. Drifter is here, Late Night Blues, No More Will I Roam, Yo Yo, Real Rock. Sly & Robbie with the Aggrovators; Bunny Lee at the controls. Full-strength, body-rocking, early-eighties deejaying. It’s obvious why sounds like Black Scorpio and Kilimanjaro favoured him.