At the fountainhead of soul jazz and boogaloo, the stinging opener is an all-time, humungous, utterly irresistible jazz hit. 
Joe Henderson and Barry Harris are superb throughout. Don’t miss Hocus-Pocus.
This essential reggae LP was recorded at Randy’s and the Black Ark, and originally released in 1975 on Black World. Powerful songs, steeped in no-messing revolutionary socialism, beautifully delivered by Max Romeo at his peak, clear as a bell, with expertly lean production by Bullwackies’ Clive Hunt (besides Pete Weston and Lee Perry himself). The CD adds a heap of dubs, and toasts by Prince Far-I and I-Roy.
“Got to clean up your hammer and sharpen your sickle… In this time of revelation… Dread… Coming from high places where there is no screw faces… Selfish barbarism has got to stop.”
At the harmonium; bleak and utterly captivating. Terrific arrangements by John Cale.
A stone-cold classic.
Classic Vinyl Series.
Partner of the Expressions East set. Heavy vinyl, too.
Arranged and produced by Leroy Hutson, who co-wrote all the songs, and part engineered at Curtom. The Voices’ best album, brimming with good vibes, bubbling grooves, great singing, political resistance.
Terrific — lit-up, reaching and odd — Josephine playing harp, guitar and piano (and singing), with Alex Nielson on drums and Victor Herrero, lead guitar.
The business — pure, heavy, deep Afro Cuban funk grooves. 1970s bass-driven percussion delirium. Lazaro Pla aka Manteca alongside Nelson ‘El Flaco’ Pardon on timbales and Carlos Potato Valdes on congas.
‘Early contender for 2009’s album of the year. Yes, already’ (Mojo). ‘The sheer soul in her voice is revolutionary’ (NME).**** The Independent, The Times. ‘**** a masterclass in gritty southern soul’ (Daily Mail).
‘Classic Vinyl’ series.
With Wayne Shorter, Sam Rivers, Herbie Hancock and Gary Peacock.
Classic Vinyl series.
Scorcher. Crucial Jackie Mac, with Pete La Roca also on top form.
‘Classic Vinyl Series.’
Wildly entertaining sixties outsider Americana from this one-man band out of south Georgia. With songs like I’m So Depressed, Cocaine, Vietnam and The Reason Young People Use Drugs.
With the inspirational Elevate Our Minds. 
A Richard Evans production from 1979, between Chicago and LA, crowning Linda’s years masterminding Natalie Cole’s success.