‘Phil Ranelin was a session trombonist for the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit… The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of airbrushed fusion that was in vogue at the time. Sounds From The Village is even better (and dirtier), showcasing Ranelin’s oily trombone gymnastics and a viciously fuzzed guitar solo… The obligatory Coltrane tribute He The One We All Knew is the kind of groove-based free-playing typical of Pharoah Sanders, though only really picks up when the band launch into post bop swing mode in the last six minutes or so… Beautiful stuff… Essential.’

‘The double bassist says this will be his last solo album, the final chapter of his Journal Violone. It is a beautiful and moving musical statement. All the qualities we associate with Barres playing are here in abundance: questing adventurousness, melodic invention, textural richness, developmental logic and deep soulfulness.’

Searching amalgamations of contemporary jazz, traditional Korean music and pure sound. Group founders saxophonist/clarinettist Sungjae Son and guitarist Suwuk Chung are joined by pansori singer Yulhee Kim and drummer Soojin Suh, in five originals and three traditional pieces.

VG. Felt-tipped cross-hairs.

A stupendous, exhilarating mix of Afro-Latino roots, out-jazz and rollicking dance rhythms by this top-notch twenty-piece, from 1988. Killer.