Strathspeys, reels, slow airs, marches, waltzes and jigs from five different regions of Scotland, played by Hugh Inkster, Pat Shearer, Andrew Poleson, Donald MacDonell and Hector MacAndrew.

Awe-inspiring 1950s recordings by one of the greatest bagpipe players of the century… from the Isle of Mull.

Iain Ballamy and Thomas Strønen, joined by Christian Fennesz. ‘Powerful grooves, evocative textures and exploratory improvisation, sometimes hypnotically insistent, sometimes turbulent.’
‘Heavier, drier, connecting more with how we actually sound live,’ says Strønen.

Surely there’s a word missing from the sub-title. Ivan was terrible; Coxsone wasn’t downbeat. Coxsone was the Downbeat Ruler, with the Downbeat Sound System, spinning fabulous tunes like these.
An embarrassment of musical riches here, still.

Out of all the twelves by MN on Jamal Moss’ Mathematics label, maybe the most outstanding goes under the name Ra Toth — and true to form this is double-sided trumps for BH, slapping together bad-minded, cosmic jazz and banging, bruk-up disco.
The A sounds like a young Pete Rock giving Theo a hand with some Dirty Edits; the flip like a blend of evilous Arkestra and prime Innerzone Orchestra.

Zingers from five different nightclub engagements, mostly drawn from Pops’ personal reel-to-reel collection — at Bop City in New York in 1950, Club Hangover in San Francisco in 1952, Storyville in Boston in 1953, Basin Street in New York in 1955 and the Brant Inn in Ontario in 1958 — featuring five different iterations of Armstrong’s All Stars, including such luminaries as Jack Teagarden, Barney Bigard, Earl Hines, Arvell Shaw, Cozy Cole, Marty Napoleon, Milt Hinton, Barrett Deems, Edmond Hall…

Killer Osibisa do-over.
‘Trammy’ was the nickname of trombonist Ron Wilson; but this is Vin Gordon.

The great reggae saxophonist surfing a dazzling array of immortal Glen Brown instrumentals and dubs, like Dirty Harry, Mr Bald Head Aitken, Merry Up, South East Music, Fathers Call, Music From South Side…
GB the Rhythm Master is right up there in the first pantheon of reggae producers, with the Upsetter, Niney and one or two others; stuff like Dirty Harry is the food of gods.
A deeply pleasurable set, warmly recommended.

Killer Duke Reid productions, originally put together in 1969. Also featuring Roland Alphonso, Don Drummond, Rico Rodriguez and full Skatalites crew; Justin Hines, Stranger Cole and Millicent Patsy Todd.