The 2011 album available on vinyl for the first time.
Bonjo Iyabinghi Noah meets Adrian Sherwood, with numerous guest spots including Jazzwad and Adamski.
Some of the hardest hitting AHC rhythms are here; more tailored to sound-system transmission than ever before.

‘The star of the show is Noah’s mesmerising hand drumming, especially on the headspinning Microdosing’ (The Guardian).
‘Easily AHC’s most accessible, vivid approximation yet of Brian Eno’s fabled ‘vision of a psychedelic Africa’’ (Mojo).
‘A ceaselessly unpredictable and eclectic record that manages to sound as traditional as it does experimental’ (Uncut).

Tough, thumping Jammys from 1989, with expert falsetto singing from CT.

Lovely, rough, heartfelt doowop, with a dash of early Impressions. Prix demos.
As featured in the recent Ikea ad.

Saboso from mid-seventies Dar Es Salaam. Complex, fluid guitars and congas; pithy songs.

Polish piano trio lining up Ornette, Hermeto Pascoal, Hans Eisler, Paul Bley and Fran Landesman alongside five of its leader’s compositions.

Poetic ballads for piano, cello, saxophone and accordion, taking inspiration from the Russian film-maker (and nodding to Bach, Pergolesi and Shostakovich).

Headlong, monster guagancos, descargas and cumbias, with pumping electric bass, Joe Arroyo at the mic, badarse metal percussion, tumbadora and timbales, trumpets, guitar, piano, Michi’s sax and clarinet. Rough!

The 1984 Hollywood novel, captivatingly read by Will Oldham. (Wurlitzer wrote the Two-Lane Blacktop screenplay for Monte Hellman, and Pat Garrett And Billy The Kid for Peckinpah, amongst other illustrious works.)

Top Detroit soul and gospel from Dave Hamilton’s studio, 1968-88, deep to funky.

His complete Motown recordings, 1964-71.