Pious sex-pol, on a tuff Billie Jean lick. ‘When you come home, a next man asleep in your pyjamas… and then you charge fi murder, Jah Jah know. The man them a worries but the woman them a problem.’

Previously-unreleased recordings from the same period as Dead Deer.

The 1972 LP coupled with an equally rare film from 1970, The Secret Of Sleep.

Zinging folk-blues session discovered in the tape cupboard of a Milwaukee radio station. Originals, Lomax stuff, blues covers. Rated a key influence by David Bowie, Lucinda Williams, John Lennon and co.

An intimate, profound documentary about buckdancing legend Thomas Maupin. Here’s a little ole trailer: http://vimeo.com/6434834.

A suite inspired by Eduardo Galeano’s Memory Of Fire — a history of the Americas told through indigenous myths and the accounts of European colonizers.
The wonderful pianist with Ron Miles on cornet, Liberty Ellman on guitar, Stomu Takeishi on bass, and Tyshawn Sorey on drums, ranging through Pan-Americana, hardcore jazz, the blues, and African and Eastern elements.
Staunch Myra admirers, us lot, ever since her first Hat Huts.

A trio recording live in 1993, with Lindsay Horner on bass and Reggie Nicholson on drums, throwing down thrillingly engaging iterations of classic blues, jump and stride in the manner of contemporaries like Cecil Taylor and Horace Silver.
One of the great piano jazz albums. Hotly recommended.

The pianist’s Fire and Water Quintet, with Mary Halvorson, Tomeka Reid, Ingrid Laubrock, and Susie Ibarra.

Tremendous.
High-drama, dubwise Channel One, with deadly guitar and congas, and fatter-than-Fat-Albert trombone.

Unmissable rocksteady: a magnificent version of the Curtis; and a hard-rocking Never Let Me Go.

The Basic Channel maestro takes on Konono. So brawling and bad-minded, dense and intense, and musically expert, it amounts to a ritual humiliation of the genre Dub Techno.

From the Tree Person’s solo album Real Life And Fiction: a punky-folk drone with chimes; disconsolate cheer-leading on the flip.