The trio of Daniel Carter (reeds, trumpet, flute), William Parker (bass, trombonium, shakuhachi), and Hamid Drake (drums).
The title Painters Winter addresses “those who paint with sound, in different landscapes, to celebrate the coming of the seasons: winter spring summer and autumn. Acknowledging the entire universe of world jazz music. Discovering the undiscovered.” According to WP’s liner notes, ‘The music on this album is a tribute to the flow of rhythm as melody and pulsation. Laced with the joy and the bounce, the dance and the heartbeat. Giving a nod to all the music that has ever passed through us.’

‘An epic archival recording which brings the titular concept to full, vibrant life. It features a once-in-a-lifetime assembly of creative music luminaries and legends — including Billy Bang, Grachan Moncur III, Jerome Cooper, Dave Burrell, Jin Hi Kim, Joe Morris, Miya Masaoka, Daniel Carter, Rob Brown, Jason Kao Hwang, and Gerald Cleaver — in performances at Roulette, NYC in December 2002. Parker invited sixteen musicians of various ages, cultures and musical backgrounds to join him in an experiment of ‘breathing together.’ While he provided a score, all were advised that there need not be adherence to it. Parker’s hope with this approach is that each musician will trust their own instincts — and those of the musicians around them — enough to let the sound find its shape in real time. That constant current of inspiration, and open, receptive communication, was present at Roulette that night, and it’s on full display on this magical recording. Whether embodying a roof-raising big band, or an intimate cross-cultural chamber ensemble, the collective heard here always displays an impressive coherence and sensitivity.’

Exclusively tailored in places, planes, hotel rooms and at home — fifteen bespoke songs and instrumentals from the Hot Chip.

This debut solo recording of the Hot Chip is a scrapbook of fifteen songs and instrumentals, made in planes, hotel rooms and at home, with bags of charm and inventiveness.

A last testament, previously unreleased, authoritatively covering the bases during a break from the life sentence which saw him die in jail of pneumonia, two years later. James Brown’s favourite singer.

Nice gospelized harmonies… with a touch of The Lecture to the flip-side sufferers.