‘Roman Norfleet and Be Present Art Group play deeply felt, sometimes earthy, and sometimes cosmic music. A trio (sax, drums, and organ) are augmented by additional percussion, soaring vocals, and even a vocal appearance by a toddler. Roman Norfleet and Be Present Art Group will take you where you need to go. A spiritual classic for the ages, following the lineage of Alice Coltrane and Pharoah Sanders yet firmly rooted in the present.’

Anniversary LP edition.

Anniversary LP Edition.

A jazz-piano split release: Matthew Bourne with Vosloo and Giles, interspersing Ra and Duke with improv; Kit Downes with cellist Lucy Railton and sound sculptor Alex Killpartrick, more minimal and meditative.

Previously-unreleased recordings from the same period as Dead Deer.

The forgotten music of the Austro-Hungarian diaspora in the mid-west of the United States. An Ian Nagoski compilation to inaugurate the label, with a cover by Eric from Mississippi Records.

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Reading from his novels Robinson, The Hard Shoulder and The Passenger, and The Museum of Loneliness, with field recordings and bits from the soundtracks of Asylum and Content. Assembled by Mordant Music.

With Lee Morgan, Wynton Kelly and Paul Chambers in 1959, the fabulous trombonist at the threshold of his Jazz Messengers stint, with dates for Miles, Sonny Clark and John Coltrane already under his belt.

Terrific collection of spiritual and gospel songs performed in informal non-church settings between 1965-1973 — mostly guitar-accompanied and performed by active or former blues artists.

His only solo album, from 1968, when he was on the Greenwich Village circuit, plaiting together blues and Eastern styles in the same neck of the woods as Fahey, Basho et al, but in his own way.

‘Pianist Bobby Naughton’s debut album was a DIY effort recorded on home equipment and featuring a hand-printed woodblock cover. Released in 1969, the album was distributed independently at concerts and by mail, receiving little attention initially, but over the years it gained a reputation as a rare, sought-after artifact of the period.
‘Nature’s Consort was a collective project, with bandmates Mark Whitecage, Mario Pavone, and Laurence Cook sharing equally in any profits. However, Naughton was the driving force behind the group’s creative direction. He composed much of the original material and selected pieces by Ornette Coleman and Carla Bley for the band’s repertoire. Though Nature’s Consort received little press at the time, it has since been recognized as a significant early document of the loft jazz era, representing Naughton’s disciplined, improvisational approach to music.’