Over several years, Far East Records in Japan has faultlessly reissued more than fifty classic Treasure Isle sevens. Expert selections; impeccably restored labels, beautifully colour-matched, often using metallic inks; and great sound.
Over & Done With is out here for the first time, and it’s murder. Riding a banging bottom-end, with thunderous drum rolls, and magnificent horns with superb soloing, Monty coolly lays out his dignified, devastating dissection of a break-up, with the cutting, expository verve of prime Lord Kitchener.
‘When you came to my rescue, I gave all that I could give. Now that your purse is empty, you’ve left me the same way you came. Loving you is useless, you’re a waste of time, you’ve got no love, no sympathy on your mind… My darling, it’s over and done with.’
Baba Brooks leads the way on the flip, which sounds a lot better here than the original pressing. Killer, tear-up ska.

The African Brothers in full effect. Barry Brown does anthemic justice to this killer song, written by Tony Tuff; produced by Sugar Minott. The reasoning is bang on the money, over a lovely rhythm. The deadly dub is by Scientist, at Tubby’s. It’s a must.

Clement ‘Minkie’ Moore at Harry J’s in 1980, revisiting the tough Wickedness rhythm — also favoured by Yabby You and Alric Forbes — this time to sing. Babs Gonzales died in 1980 but his genius flourishes in the insouciant exchange between a scatting, I-Do-My-Thing Minkie and some fat, newly-added trombone.

Heavy, spaced-out, discombobulated rubadub cut at Munchie Jackson’s Sunshine Studio in the Bronx, in the mid-1980s, with Jackie Mittoo at the controls. Junior devotes his debut recording to a richly nostalgic, entertaining set of shout outs.
All-time killer New York dancehall. It’s a must.