Nine minutes of Tuff Gong jazzy dread, set to the b-line Bunny copped for Amagideon.

A master-class in digikal dread, by the Cool Ruler and King Tubby.
Swingeing Firehouse rhythms, expertly dubwise, with driving, tumping bass, and the burning horns of Dean Fraser and Vin Gordon. Utterly masterful singing.
The overall mood is foreboding, sombre and distressed. ‘Your trouble wanna trouble you,’ warns Gregory. ‘War in the morning, war in the evening.’ ‘Everyone is wondering who will be next.’
The gist is the toll of everyday living — paranoia and alienation, loneliness and heartbreak, drugs and violence — and the gravitational pull of prison, so it’s great to see the emblematic art-work of the original UK issue, by the aptly-named Serious Business, back again. (We miss the Rudy Gone Whaling typo of an old bootleg, still.)
Typically dapper, trash-and-ready reissue by Dub Store in Tokyo, with ace sound, handsomely sleeved (though the tracks are listed in the wrong order).
Masterworks like Long Sentence, Once A Man — giant-slaying Fade Away excursion — and Badness.
Hotly recommended.

Just like cream-of-the-crop digi Tubbys. From the New Dance album sessions in 1988, with the Firehouse Crew. Mixed by Leroy ‘Fatman’ Thompson — formerly apprenticed to the King, en route to Jammys — and produced by Bunny Gemini and Tristan Palma. Gregory is desolate and compelling… and the dub is murder.

Masterful Gregory from 1997, sounding spooked and hunted over a juddering, propulsive Music Works rhythm, fulgent and full-on, with deep, pounding bass, clattering percussion, parping horns, classy backing vocals and harp starbursts… top-notch Gussies.
Two extended vocal versions, and two dubs, all quite different.
Bimmety bim bim.

Mid-seventies Alvin Ranglin productions — an original LP, not a compilation — with the Revolutionaries deep in the groove, Sylvan Morris from Studio One at the controls, the Tamlins on backing vocals, and Deadly Headley and co chipping in tough brass.
Top Gregory, with classics like Jailer and Border.