Honest Jon's
278 Portobello Road
London
W10 5TE
England

Monday-Saturday 10 till 6; Sunday 11 till 5

Honest Jon's
Unit 115
Lower Stable Street
Coal Drops Yard
London
N1C 4DR

Monday-Saturday 11 till 6; Sunday 11 till 5

+44(0)208 969 9822 mail@honestjons.com

Established 1974.

  • Latest 100 arrivals
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Hot Stuff

Down For The Count

Sound House

  • 1-OFF 7" SOLD

Hermon Hitson

Laughin

Royal

Hermon Hitson

She's A Bad Girl

Minit

Herman Kelly

Let's Get Together

RCA

The Majestic Arrows

Doing It For Us

Bandit

The Mekons

Where Were You

Fast

  • 1-OFF 7" SOLD

Nolan Porter

If I Could Only Be Sure

ABC

  • 1-OFF 7" SOLD

P-Funk All Stars

One Of Those Summers

Hump

The Joneses

Pretty, Pretty

VMP

Reuben Bell

Wait It Out And May The Best Man Win

Reuben Bell Session

  • 1-OFF 7" SOLD

Reuben Bell

It's Not That Easy

Murco

Killer deep soul from Louisiana.

Eddie Mayberry

I'm A Rover

Blue Town

Ruth McFadden

Ghetto Woman (Part I)

Gamble

  • 1-OFF 7" SOLD

Lynn White

Slow & Easy

Waylo

The Chants

I've Been Trying

Chipping Norton

  • 1-OFF 7" SOLD

Thundermug

Funky On My Back

Big Street

  • 1-OFF 7" SOLD

The Internationals

Too Sweet To Be Lonely

D'ar

Zilla Mayes

I Love You Still

Tou-Sea

  • 1-OFF 7" SOLD

Soul In Harmony

Vocal Groups 1965-1977

Kent

In Perfect Harmony

Sweet Soul Groups 1968-77

Kent

Phuong Tam

Magical Nights - Saigon Surf Twist & Soul (1964-1966)

Sublime Frequencies

Horacio Vaggione

La Maquina De Cantar

Dialogo

Tammy Wynette

Your Good Girl's Gonna Go Bad, Take Me To Your World

Morello

The Brother Moves On

Tolika Mtoliki

Matsuli

Brothers Nkululelo and Siyabonga Mthembu reworkimg the music of Mongezi Feza, Johnny Dyani, the Malopoets, Batsumi, and Philip Tabane.
Old wisdom in new voices, new wisdom in old voices. Tolika Mtoliki, ‘Interpret Interpreter’.
“Just brilliant,” says Gilles.

One Night In Pelican

Afro Modern Dreams 1974-1977

Matsuli

Opening in 1973, tucked into a tangle of railway parts scattered across an industrial park at the western edge of Orlando East, Club Pelican was Soweto’s first night-club, and its premier live music venue throughout the seventies.
Pretty much everyone on the scene passed through its doors — to sing, or perform in the house band, or hang out. Schooled in standards, and fluent in the local musical vernacular, the music would take off in different directions at a moment’s notice — SA twists on jazz, funk, fusion, disco — spurred by the sounds coming in from Philadelphia, Detroit and New York City.
One Night In Pelican encapsulates these halcyon times, with a musical roll call of all the key groups and players, besides evocative, previously-unseen photographs, cover artwork by Zulu ‘Batsumi’ Bidi, and notes by Kwanele Sosibo, lit up by a gallery of first-person testimony.

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