‘It’s always summer somewhere, but especially so wherever Cheryl Glasgow’s carefree clubber Glued To The Spot gets a spin. An absolute ear-worm from the opening strums, Glasgow’s Sade-adjacent, jazz vocalese sweeps into a warm up-tempo groove, never breaking sweat. Issued on Ross Anderson’s short-lived, London-based Live label, Glued To The Spot swept through the club scene briefly in 1987, embarking for warmer shores when the season changed.’

Dark, menacing and pained; wonderful Upsetters, always timely.

Jen rides the dread Sidewalk Doctor rhythm, with Woman Of The Ghetto lyrics.
Jackie Mittoo puts any survivors to the sword.

Deadly, seventies, New York roots. Rugged, a little wired.
The basic rhythm-track is Wackies-style. The flamboyant brass chart is jazzier. Moody organ, too. Young Roots himself goes on a bit.
The band backed The Aksumites on their first 12” (Afrika Fe De Afrikan) and gigged around the City.

I Believe this reissue is not properly licensed.

Great early-eighties Channel 1 excursion on the same version of DEB’s Revolution rhythm as Barrington Levy’s Black Rose.

Courtesy of Rock A Shacka.

The drummer of the Gladiators Band and the Upsetters, recording with his own Solid Foundation Band at the Black Ark in the down-time of a Junior Byles’ session. A rework of The Animals’ version of an English folk song, with a leg-up from Byles’ own A Place Called Africa. Originally released on Sight’N'Sound, by Studio One.
Lovely, mystical roots, with an ace dub, touched with unmistakable Perry genius.

A sublime, freely creative, dubwise instrumental and its version, from the same hallowed, far-out neck of the woods as the deepest Upsetters and Wackies.

Next cut of Spear’s Marcus Garvey rhythm.