Stone-classic sexed-up Detroit electro banger. Killer diller.

Four thrilling rounds of rampage, school of Basic Channel.

Ace dubwise techno.

‘Two tracks from early 70s Los Angeles, around the time of his eponymous first LP. Say You is a superb updating of the Monitors’ harmony hit from 1965, given the distinctively sensitive McNeir treatment. I’m Sorry is a self-penned slow-burner that builds a perfect dancefloor beat.’

Just like cream-of-the-crop digi Tubbys. From the New Dance album sessions in 1988, with the Firehouse Crew. Mixed by Leroy ‘Fatman’ Thompson — formerly apprenticed to the King, en route to Jammys — and produced by Bunny Gemini and Tristan Palma. Gregory is desolate and compelling… and the dub is murder.

‘It’s always summer somewhere, but especially so wherever Cheryl Glasgow’s carefree clubber Glued To The Spot gets a spin. An absolute ear-worm from the opening strums, Glasgow’s Sade-adjacent, jazz vocalese sweeps into a warm up-tempo groove, never breaking sweat. Issued on Ross Anderson’s short-lived, London-based Live label, Glued To The Spot swept through the club scene briefly in 1987, embarking for warmer shores when the season changed.’

Dark, menacing and pained; wonderful Upsetters, always timely.

Jen rides the dread Sidewalk Doctor rhythm, with Woman Of The Ghetto lyrics.
Jackie Mittoo puts any survivors to the sword.

Deadly, seventies, New York roots. Rugged, a little wired.
The basic rhythm-track is Wackies-style. The flamboyant brass chart is jazzier. Moody organ, too. Young Roots himself goes on a bit.
The band backed The Aksumites on their first 12” (Afrika Fe De Afrikan) and gigged around the City.

I Believe this reissue is not properly licensed.

Great early-eighties Channel 1 excursion on the same version of DEB’s Revolution rhythm as Barrington Levy’s Black Rose.

Courtesy of Rock A Shacka.