Profiling producer Theppabutr Satirodchompu — the first in a series of albums celebrating the key-players of modern molam music, from Northeast Thailand. Limited vinyl from Light In The Attic.

Laid-back rocksteady soul from Noel, out of the Chosen Few — coupled with a fun Ike Bennett organ workout.

Highly entertaining, varied session for New Jazz in 1963 — the same year as Cracklin’ — with Frank Strozier (playing saxophone and flute), Larry Ridley and Ronnie Matthews. The tricky, careering opener Modette is terrific.

Casio and percussion nut-outs from Dar Es Salaam, Tanzania. Songs about the concrete jungle, infidelity and voodoo, Mchiriku-style.

Eighteenth and nineteenth century folk repertoire featuring horn, overtone flute, panpipes, vertical flute, shepherds’ trumpet — and violin or balaika.

Rocking digital roots from Derwin Dawes, Donald Marshall and Anthony ‘Ringo Paul’ Hill — aka the Mighty Rulers, aka D’Nations — recorded in 1998, though never released before on vinyl.

The 1979 key-work of this eight-piece from Washington DC: high steppin’ rhythms, tight, funky arrangements, and gorgeous gospel-influenced vocal harmonies.
Produced by Wayne Henderson, with Bobby Lyle and Side Effect in the house.
Featuring the almighty two-step classic Hollywood Dreaming.

Tasty, brilliantly-arranged, minor-chord instrumental of the Tonight rhythm, led by the saxophone of Cannonball ‘Money Generator’ Bryan; with a secret-weapon piano-lick on the flip.

His first professional studio session — in a cupboard set up to do jingles — produced many of his most famous sides and definitive versions. Stuff like Part Of The Problem, Bloody Knuckles, Teen Routines.

Tasty trio date led by the rhythmic piano-playing of the blind Lou Donaldson sideman.

Multi-tracking especially the raj nplaim from Laos and the nohkan from Japan (a free-reed pipe and flute, both bamboo), as well as many male voices, inspired by Georgian polyphony, sung by himself.