Extended, with dub.

Majestic and immense Cure, on The Heptones’ Give Me The Right rhythm.

London crew formed in the late seventies by Gus Phillips from Sierra Leone and Dominican Sam Jones. Nurtured by Grove Music; same family tree as Aswad. Just around the corner from Honest Jon’s in Ladbroke Grove, guitarist Peter Harris went on to set up the Kickin label (which put out Shut Up And Dance, Aaron Carl and Blaze).

Superb, sombre, tautly grooving sufferers, produced by George Woodhouse.
Same singer as Reward, on Channel One. Twin, dread killers.

With Stanley Clarke, Cecil McBee, Eddie Henderson, Carlos Garnett, Gary Bartz and Buster Williams.

Thrilling primitive gospel from Alabama. Fuzzy, loud, dissonant guitar somewhere between Pops Staples, John Lee Hooker and the outsider R ‘n B of Hasil Adkins. True testifyin’ magic, and highly recommended.

Rugged 1974 dub LP replete with Upsetters and Tubby vibes, including the killer Macca Bee, and a nice vocal-with-deejay Love Me With All Your Heart, and featuring fine fleet flute froughout.

Unreleased stuff and vinyl specials from the Madlib vaults.
Seasons Change flips Roy Ayers’ D.C. City; Broad Factor and LAX nod to Mad Skillz and Gangstarr.

Water in particular is stunning, with JH chasing the devil across the Sahara like an elemental fury, flashing dubwise effects; alongside the magnificent, dread droning and piping of Alice Coltrane , r-r-r-rough Charlie Haden, and Michael White on tablas and percussion.
Totally killer, no-holds-barred… proper World Music… a must.

1928-35 recordings by the Memphis bluesman (with Cherokee Indian close by in his family tree) — including That’s No Way To Get Along, later covered by the Rolling Stones as Prodigal Son.

Half price.

Luminessence series.

‘Probably the best known Dub Syndicate album, this 1991 set was recorded between Jamaica and London, with the rock solid rhythms of band leader Style Scott augmented by a number of additional players, including guitar from Skip McDonald, vocals by Lee Perry and Akabu, samples of the late, great Prince Far I, and keyboards from Keith Levene.’