‘Performed in Berlin at the Haus am Waldsee in July, 1985, it was every bit the chamber concert — super intimate and interactive, gorgeously recorded by FMP’s Jost Gebers in an ideal acoustic room. Rather than alternate between one and the other, Lacy and Parker explore middle-terrain the whole time, perhaps skewing a tad more Lacy’s funky-tuneful direction, becoming a single soprano entity made of fragments of sound sometimes accreting into perfectly imperfect lines. Two long tracks, Full Scale and Relations, are completed by a final four-minute coda aptly titled Twittering. Indeed, the whole program has the joyous interactivity of Paul Klee’s painting Twittering Machine: birds aligned on a line, proposing and picking up lines, nothing cruel or mean-spirited, free play all a graceful twitter.’