Luigi Pirandello provides the conceit for the tenth Baroque Sunburst: his thinking about masks, duplicity, and ensnarement; the idea that ‘self’ and ‘identity’ are unattainable plenitudes; that we are all trapped behind masks and other concealments.
Hence each of the four tracks is designed for playback at either 33 or 45 rpm. Maschera itself is a half-time stomper with the slithering grace of a snake, intricate IDM refrains, and riddling drum patterns. Trappola is melodic hide-and-seek, with a stately, captivating tribal rhythm which slowly gathers intensity. The snake returns in Specchio, biting its own tail in an endless birth-death infinity mirror… before KRSLD brings the curtain down with a dubwise, dancehall rework of the opener, teasing the snake into the open. Or does it?

A mouth-watering collaboration; plus flips from Al Wootton and Ottomani Parker.
‘The opener Last Breath is a late-hour pelter: relentlessly moody and hypnotic, with heaving sub-bass pulses. Tunnel Drift switches lanes with its distinctive tech-stepping 90’s throwback style; a forward-thinking take on a nostalgic sound.
‘Al Wootton’s contribution is characteristically fresh and inventive dubbed-out house, with his signature layering of atmospheric textures, and a deep and groovy bassline.
‘After a blissful opening, the Ottomani Parker excursion overlays driving percussion with horns, keys and live hand-drumming; an uplifting finale.’