Two albums repackaged — Super Afro Soul and Orlando’s Afro Ideas 1969-72. Sublime Nigerian soul, jazz and funk grooves.

1970s bottlings of the ‘crystal giggling energy’ of muse Vista, through a pioneering mix of one-stop synths, tape reversal, feedback and so on. Supposedly the kind of thing you hear during a near-death experience.

Classic Miami soul, originally on Blue Candle, from this Jazzman imprint.

Aged 25, signing off Impulse! with a wayward flourish, Hubbard plays beautifully throughout, boldly leading an orchestra and string section, 16-piece big band, and a septet with Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman, and Louis Hayes. Shorter is arranger and conductor. Buckle up for Dolphy flipping his wig in Clarence’s Place.
‘Verve By Request.’

Thrilling rarities from Stax and Goldwax — funky scorchers like The Hawg; hard takes on Ticket To Ride and Tramp; Isaac Hayes’ debut 45; Willie Cobbs’ You Don’t Love Me (which Dawn Penn did over as No, No, No).

All their fab late 60s recordings for Bert Berns and his Bang and Shout labels, and then RCA — classic girl group and soul both, with some dancers and northern anthems, lit upfront by the great belter Brenda Reid.

Stompers, floaters and ballads, with several impossible to get otherwise.