‘From 1972, the third and last album by this group formed in Johannesburg’s Alexandra township in 1968, announcing a shift away from early Memphis soul influences towards a pioneering African-driven jazz sound, and laying the foundations for the afro-fusion scene spearheaded by groups like Batsumi, The Drive, and Harari.
‘Black Soul features a who’s who of musicians from great South African bands over the decades: Zacks Nkosi, the renowned bandleader of the Jazz Maniacs and long-time member of the African Swingsters in the 1940s and 50s; kwela star Little Kid Lex Hendricks, known for his Columbia recordings of the late 1950s; Zack’s son Jabu Nkosi, who would go on to play with The Drive, Roots and Sakhile; and Banza Kgasoane later a member of The Beaters, Harari, and then Mango Groove.’

Legendary, stone-classic jazz-funk from 1977; produced by Wayne Henderson for At Home.

Their 1961 Sue Records debut, including I Idolize You and A Fool In Love, plus ten more sides from the same period.

Mr Pitiful at his most powerful, with the MGs in 1965.

It’s a Christmas album but fear ye not. It’s from the same six months as How Insensitive and Now Hear This, with Airto running between these sessions and the recording of Bitches Brew. Try the grooving opener, with DP alternating on piano and celeste.

Featuring Grant Green, and engineered by Rudy van Gelder, in the manner of classic Blue Note organ jazz, this is an ‘underappreciated gem’, according to AllMusic. Leo Wright plays a blinder.
Here is a lovely photo of drummer Pola Roberts performing in the fifties. Nice name, the Pixie Bongo 4 Jewel’s.
Pola and Gloria had an all-women band together in the early sixties. George Coleman is Gloria’s old man.
‘Verve by Request’.

‘Classic Vinyl Edition.’