Terrific fun; full of life and invention.
‘This first exuberant wave of innocent, upbeat, ‘party on the block’ rap records re-created the sounds heard in community centres, block parties and street jams taking place in the Bronx in the mid-1970s. But where Flash, Kool Herc and Bambaataa were back-spinning, mixing and scratching together breakbeat records, these first rap sides were all made using live bands, often replaying current disco tunes, whilst MCs rapped over the top…’

An expert sampling of the original Studio One dub LPs, plus a couple of wild cards.

Soul Jazz back in Port-au-Prince after twenty years, to record again with the Drummers of the Société Absolument Guinin. Mesmeric rhythms and beats traditionally used to induce spirit possession in the Vodou religion — ‘dynamic and riveting in their intricacy and power,’ said the Quietus about the first volume.

Choca with unrelentingly hard and heavy salsa bangers, school of Willie Colon, this 1973 album is the fifth full-length salsa LP led by Julio Ernesto Estrada Rincón, aka Fruko, and the second credited to Fruko Y Sus Tesos. The singers are Joe Arroyo and Wilson ‘Saoko’ Manyoma; besides salsa, the rhythms are mozambique, conga, bomba, and jala jala.
The stone-cold-killer descarga Salsa Na Ma is here. Phew-wee. Raging dancefloor fire.

Rough, tough salsa brava from 1972.
The soaring, soulful vocals of Edulfamid Molina Díaz front an augmented, more aggressive brass section —introducing another trumpet and two trombones to the lineup— swaggering through a dazzling range of rhythms including guaguancó, bomba, plena, oriza, bolero, cha-cha-chá, descarga, and Latin soul.
Warmly recommended.