Both these sides are previously unreleased blends of the old and the new, in extended mixes.
Can’t Fool I re-unites the born-a-fighter roots warrior with Tasha producer George Nicholson, his chum from school — at last voicing a rhythm from the label’s first-ever recording session, at Channel One in 1978, with the Revolutionaries.
Easy Skanking is Alla on a brand new rhythm by Danny Bassie and Barnabas.

With Culture.

Celebrated dubplate version of DEB’s Promised Land; and Earl 16 on Trial And Crosses.

Pure fire.

Dawn Le Faun with Billy Le Bon, co-singers of The Letting Go and Wai Notes, digging up a modern(ish) parable from deep in their Everlys sack, afore getting down and sliding around on the flip.

Further excursions on Black Oney’s Jah Jah Send The Parson rhythm. Far I rides a stripped dub (originally for a Carib Gems LP); the straighter Oney return was first released in a tiny run of blanks.

Nice, mid-tempo tune, Eek A Mouse style and fashion.

Tough Beres Simpson revive. With the Roots Radics, maybe.

‘Yes we nice, yes we nice… Hold them, music, hold them, yes, we control them… no we nah go let them stray.’ Dancehall manners — on the rhythm Delgado used for Rasta People — as clinically murderous as all-time EJ hits for Jammys like Rock Them One By One and Turn Up The Heat.

A hollowed-out, minor-chord rhythm… SB bubbling moodily about ‘if you’re having a problem and you don’t know to solve them, down the road there is a party’... a stripped, brilliant dub.
Classic Jammys from 1987.

Tough Jammys do-over of Cuss Cuss, with dangerous bass and banging dub, and Junior in no mood for messing. ‘Galong before we chop off your hand.’

Top-notch digi sufferers from 1987. Plenty of Dennis in Leroy’s singing.

Startling digi do-over of Yabby You’s great Jesus Dread rhythm, with a driving, tumping dub and sermonizing keys. Mis-credited to Phillip Fraser on the label.

Horatian worries on the wicked E20 rhythm.