With Japanese ska band The Determinations.

Stone classic. Stuffed with monster Lee Perry rhythms like War In A Babylon.

‘What about the half that’s never been told? The half, the half, the half that’s never been told.’

Ain’t no house like Waterhouse for Black Crucial, Anthony Johnson, Junior Reid and co.

Featuring vintage sides by Po Sein (one of the giants of early Burmese music and theatre), vocal and harp music from 1929, ‘modern songs with electric guitar’, and unique Burmese pop songs with piano.

The commanding, concussive first LP of the Voice of Thunder, from 1976, chanting psalms and prayers over tough Lloydie Slim productions, mostly with the Aggrovators. (Plus a seemingly random Upsetters rhythm.)
‘Those who have ears to hear, let them hear.’
It’s a must.

Originally released by Kuckuck in 1973, Princess Of Dawn ranges library-style from ceremonial, meditative mantra drones (Triad, Deep Sea, Gothic Velvet, Evening), through sun-worship (Tom Bombaddils Dance), to playful, pulsating forays in analog synth (Desert Rock, Synth Effect, Flea Dance, Laser), by way of the traditional music of the Middle East, India and Europe (Arabia, Reed, Phoenix).
Twenty-six fragments of electronica by the Krautrock mystic, like stepping stones between the phase of music-making which culminated in Aum the previous year, and his imminent departure for Bhagwan Shree Rajneesh’s ashram in Poona, home to key-works like Celebration, Haleakala, Ecstasy and Silence Is The Answer.

Dub counterpart to the Experience LP, with assistance from Prince Jammy.