Stefan Schneider and Sven Kacirek’s scintillating recordings of the Mijikenda tribes, made in different spots in and around Mukunguni village, coastal Kenya: spiritual and healing music, and love-songs.
Hard bop from 1961: a quintet including Marcus ‘Gemini’ Belgrave, Ronnie ‘Doin The Thang’ Mathews, and Gene Hunt, from Horace Silver’s band.
Charged garage-rock from Vancouver, BC, Canada, 1970. Championed by the innumerate Enjoy The Experience: ‘Amongst my favorites, the sincerity and verve in the performances remain fresh to the ear and heart thirty years later.’
‘You said he was your cousin, oh but I found out that he was wasin’... Two cousins don’t kiss, especially not like this…’
Luminously upful mid-seventies roots.
Scunna’s bro King Tubby dishes up a heavy dub.
Lovely record.
Open-hearted, fresh, lovely, bumptious recordings of women’s singing, from Rang’ala village in southwest Kenya. ‘Dodo’ is a type of traditional Luo music mostly used for entertainment at weddings, drinking parties and wrestling festivals. Songs in praise of the happy couple, the hardest drinkers and the best wrestlers.
Try the magical fourth song, Arum — about barking like a hornbill.
‘A re-imagining.’
Seven songs by Rully Shabara and Wukir Suryadi, rootsily mystical and vividly al fresco, spiralling from peripheral sites beside rubbish dumps and rice fields, into a busy market at the heart of Yogyakarta, from dawn till dusk.
Terry Ork was an absconder from Warhol’s Factory. Starting in 1975, his label issued the debut 45s of Television and Richard Hell, as well as landmark recordings by The Feelies and Lester Bangs, not to mention Big Star’s Alex Chilton and the dBs’ Chris Stamey, and such acts as Marbles, Prix, Mick Farren, Cheetah Chrome, the Idols, the Erasers, the Revelons, Student Teachers etc etc.
The deluxe 190-page hardback book is stuffed with terrific photos. The exquisitely sleeved bonus 45 features two previously unreleased tracks by The Feelies — The Boy With The Perpetual Nervousness from 1978, and a cover of Bacharach and David’s My Little Red Book, recorded live at CBGB, late 1976.
A fresh survey of post-bop, outsider British jazz labels and musicians: obscure gems, from the time-bending spirit music of London’s Lori Vambe to the psych-jazz of Birmingham’s Poliphony, via Spot The Zebra’s jazz dedication to David Attenborough and Indiana Highway’s modal Christmas carolling.
An anti-war collage of words and sounds from August 6, 1966, including contributions from a plastic clock-radio, The Velvet Underground, Gerard Malanga, Marion Brown, Allen Ginsberg, Ishmael Reed, Andy Warhol (standing around silently) and Ed Sanders.