A symphonic layering of phone-taps by Scanner and TT, aka DJ Sprinkles.
Plus some deep, glitchy Ambient by the label-boss, with piano and harpsichord.

Free-flowing recordings made in Pakistan with members of the instrumental quartet Jaubi (including Zohaib Hassan Khan on sarangi).

The eagerly awaited return of Bastian Epple to Marionette, for his debut album. Fifteen richly evocative vignettes conjured up with modular synth, tape-work, synthetic sounds, percussion, guitar: captivating, scene-setting catalysts of dreams, nostalgia, and other imaginary voyages; intimate, unpredictable, and alive; full of curiosity and wonder.

Rawly ethereal, other-worldly singing by members of hill tribes in China, Vietnam, and Laos.

‘Deep and haunting; a dense tapestry of layered percussion, time-warped tape loops, and spiralling drumgita figures, all underpinned by hypnotic improvisations from Brazilian pianist Rafael Dos Santos. Privately pressed in 1982, it is both ecstatic and unsettling, a landmark recording in black British experimental music.’

‘Based in the south of France, Beduneau builds intricate self-playing installations and DIY electronics. Bringing a fresh and personal perspective to electronic and electroacoustic music, his work is intent on opening up dialogues about the social construction of disability, and other norms and conventions.
‘‘Clairon’ refers both to a medieval trumpet and to the beloved with whom this music was first shared, as a kind of impressionistic, though deeply moving sound-diary, during the stillness of the pandemic. The movement of air, pressure, resonance, and the physical properties of the trumpet are reimagined; organic ASMR tones, synthesized bird calls, and pirouetting melodies of pipes and bells score an imaginary biodome where chaos and harmony coexist.
‘Striking, singular, and boundary-pushing.’

‘In the thirteen years since Voices From The Lake I, the duo has performed worldwide, released a handful of EPs, worked on installations, and founded record labels, all while continuing to refine the project’s unique identity. Its core has always been its deep, aqueous approach to sound, a sensibility that returns in full force on II. “The project was never meant to become what it did. At one point, we even paused it. Only to later embrace it in all its forms. II is both a continuation and a reinvention.” True to that spirit, Voices From The Lake have explored extremes in recent years, from high-tempo live sets to seated listening concerts, while remaining anchored in the meditative pulse of ambient techno. II extends this lineage, carrying forward the immersive sound design and boundary-pushing vision that has defined their work from the beginning.’

This landmark album by Donato Dozzy and Neel in full on vinyl for the first time.
‘One of the most pure and absorbing listening experiences in techno… a touchstone in ambient techno, reshaping the global landscape of hypnotic and atmospheric electronic music… A decade on, its quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound — dripping water, chirping birds, rustling leaves or a distant breeze — and it’s that which defines the album’s organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.’