A skittering, stop-start, dubwise rhythm — sounds like Family Man — pulsating with submarine sonar.
Al Campbell lights it up 2025-style with a coolly defiant, denunciatory sufferers. Live, dubplate vibes, kicking off with a nod to his hosts in Shepherds Bush, and a quick Orthodox represent represent.
How do I love thee? Let me count the ways. ‘Babylon them a criminal, Babylon them an animal, Babylon them a conman, Babylon them a ginal.’
Killer diller dub, too, with a stark, reedy dose of the Sugar Bellys.
Crucial bunny. Crunchy and tasty; proper underground vegetable business.
Bim.

Outstanding Tubbys.

Including a killer mix of Homeward Bound, the Creation Steppers’ blazing update of The Skatalites’ Confucius; a heavy Spear and a heavier Fred Locks (with Reggae Reggae Sauce rocking the mic).

Lost Treasures From The Vaults, 1959-69, Volume Three.

1975 sequel to KT Meets The Upsetter At The Grass Roots Of Dub. Here’s Steve Barker in The Wire: ‘a chance to hear it as it should be heard, containing as it does a few moments of sheer Tubby magic, including Unit Dub, a pure and simple drum and bass outing with the bassline mixed up front and twisted through filters while a shrilly splitting hi-hat is left to steer the riddim. Definitely in the top ten of all Tubby dub mixes.’

Soul-drenched, late-sixties gospel from Cleveland.

A moving, lovely, heartfelt tribute, seamlessly combining jazz-funk, soul, gospel, Black Jazz, bebop, Latin, spoken word and co, with palpably higher concerns than genre and market. Released in 1976 on his own imprint by the jazz veteran — sixties cohort of Eric Dolphy, Ray Charles, Donald Byrd and the rest —  alongside the all-time classic If.