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Both the 1963 and 1967 recordings of this material.
Solo in 1980.
A fascinating combination of experiment and tradition. Requiem For John Hurt is beautiful; Requiem For Molly daring and disturbing.
Fahey’s first recordings, from 1959, plus re-recordings of the same material from 1964, and 1967.
Heartfelt hymns and songs of praise, deconstructed and rebuilt. Sometimes reverent, sometimes raging, sometimes playful, always spellbinding. ‘Christ Is Not Cute’ runs the Fahey quote on the sleeve. A beauty.
From 1979 — mainly solo, reworking old themes and melodies, and updating his cover versions to include more contemporary guitarists, even proteges like Leo Kottke.
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