Earl Sixteen over two moody Channel One rhythms, around 1984; both with serious dubs, all previously unreleased.

See Mi Yah remixes. A triumphant series finale.

Two superb, dark, signature dubs with unlikely shoots of upful disco and smack-bottom electro naughtiness.

Almighty dubs of I’m Your Brother — Round One, on Main Street.

Originally released in 1993 on Planet E.

This is the sublime, eleven-minute version, featuring vocalist Gavin Christopher.
Big Theo Parrish record.
Backed with the promo-only disco mix of Saturday Night, lavished with percussion by Sheila E.
Murders.

Fiercely brilliant, slashing, whooping dance music from Oni — all-original, no samples — and a stonking Detroit thumper from the master.

Extra to the LP, with a magnificent, epic, head-scrambling remix, more spaced and spooked than the original. Shackleton’s dream liturgy fully unfolds — an eerie, garbled sublimity, a kind of black-magic plainsong.

An immersive, slashing, ecstatic thumper, just about getting Mars on the radio; and a kind of unhinged marimba and thumb-piano variation, grubbing around manically in half-memories of African polyrhythm.

The very first Basic Channel.
A quarter of an hour of Enforcement, plus a Jeff Mills remix, and an ameliorative dub.
Still thrillingly no-prisoners and 100% unmissable.

Q-Loop proper — fourteen minutes of mesmerising, dread minimalism — and the vinyl debuts of Q1.2 and Mutism.

Out of all the twelves by MN on Jamal Moss’ Mathematics label, maybe the most outstanding goes under the name Ra Toth — and true to form this is double-sided trumps for BH, slapping together bad-minded, cosmic jazz and banging, bruk-up disco.
The A sounds like a young Pete Rock giving Theo a hand with some Dirty Edits; the flip like a blend of evilous Arkestra and prime Innerzone Orchestra.