This is terrific. The Duke totally fronts up; Mingus is dazzling. Les Fleurs Africaines is one for the desert island.

Plenty of thrills and spills in this soundtrack to Otto Preminger’s 1959 film. Steeply evocative dynamic and rhythmic contrasts and quick changes in orchestral density get the job done — with a repeated strain of melody —  and make for highly entertaining listening, with numerous rollicking brass passages in amongst the piano-threaded impressionism, plus terrific soloing by Johnny Hodges, Ray Nance and co. Highlights include the suspenseful opener, the moody Midnight Indigo, the sublimely sad Almost Cried, and the band hard-rocking out-the-door with Upper And Outest, culminating in an amazing stratospheric passage by Cat Anderson, playing for a moment as if the needle is stuck.
Check out the opening of the film, with its title sequence by Saul Bass, and Duke’s music. Class.

Released in the same few months as Money Jungle and Duke Ellington Meets John Coltrane, this is equally unmissable.
The opening calypso establishes the joyful, extravagant mastery of the date. Apparently the musicians were unaware that they were being recorded (by Van Gelder), and — thinking it was just a warm-up — drummer Sam Woodyard rhythm-a-nings, burbles, and scats away to himself, happy as Larry, and the Hawk doesn’t show up till two-thirds of the way through… nailing it, of course. Then a rapturous version of Mood Indigo, with more sublime Hawkins… a kicking Ray Charles tribute… Wanderlust, the Johnny Hodges classic from the thirties…
‘One of the great Ellington albums, one of the great Hawkins albums and one of the great albums of the 1960s,’ according to the New York Times.