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Brilliant, jacking, extended, improvisatory, ancient dance music played at the initiation of diviners (drugged with jolonthi, to ward off spells) on a twelve-blade xylophone with calabash resonators.
Afro-Funk mixed with traditional Islamic rhythms and Afro-Latin sounds spread by visiting Cuban ensembles — and most of all the Mandingue melodies and guitar techniques of Mali and Guinea.
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