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Her 1982 collaboration with Roy Ayers — classic disco boogie. One side is a full vocal; the other a flute-led instrumental, beefed up for the dancefloor by Ayers, at the mixing desk .
Right up there with Blacks & Blues, the flautist’s third LP collaboration with the Mizells is the triumphant culmination of her stint at Blue Note, kicking off with the glorious Latin jazz fusion of Uno Esta. The top-notch crew includes Dorothy Ashby, Julian Priester, Roger Glenn, and Harvey Mason.
Stylishly designed, like all six of her Blue Notes; featuring art-work by Barbara Nessim.
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