From the same 1979 recording sessions as Strange Celestial Road, this is one of Sun Ra’s best-loved, funkiest records, with John Gilmore in full flight, and a bigger Arkestra than had just played the Moers festival.

Late-sixties… with Marshall Allen on Jupiterian flute and Danny Thompson on Neptunian libflecto. ‘Great slow blues, creepy space voice, very cool space-exotica, crazed circus fanfare and a cacophonous romp.’

Superb Blood & Fire selection of scattered late-seventies outings, all in discomixes. Treasures include the opener, Reggae Rhythm, with its blaring horns, originally out on Trio International; the 12” mix of Pure Ranking by Jammy, at Tubby’s; and the deadly triumvirate of Everton Da Silvas — Youths Of Today, Don’t Let Problems Get You Down and Mr. Bassie.

‘I want to play songs like I used to sing when I was real small.’

This fiftieth anniversary CD includes as a bonus the track briefly substituted for Spirits on an early vinyl edition. It is the same tune known as Vibrations on the album of that title on Arista/Freedom (aka Ghosts when issued on Debut) and as ‘[tune Q]2’ on the Revenant box set Holy Ghost.

Bells is rough, revelatory, key. Albert and his brawling new group — brother Donald, Charles Tyler (making his recording debut), Louis Worrell and Sonny Murray — rocking New York Town Hall to the ground on May Day 1965. Prophecy was captured on tape by the poet Paul Haines the year before at the Cellar Cafe in NYC: the Spiritual Unity lineup, Ayler with Sonny Murray and Gary Peacock; with four performances from the same concert added to the original LP release.

Slammed at the time as a sell-out, and what a joke that is. Brimming with raw physical emotion, but reaching out — in the revolutionary year of 1968 —  to soul, rock and gospel.

Also the blues. When he was still at Cleveland High School, Albert spent two summers touring with none other than Little Walter. “The manner of living was quite different for me — drinking real heavy and playing real hard. We’d travel all day, finally arrive, take out our horns and play.”

Gale-force masterpiece.

Recorded live with Sonny Murray and Gary Peacock in 1964 — just a month before the Spiritual Unity session — already veering so intensely and steeply way outwards from core, morphemic scraps of tunes like Ghosts and Spirits.

Two stone classic LPs from 1964: Witches And Devils aka Spirits — with terrific playing by Sunny Murray and Henry Grimes, plus Norman Howard and Earle Henderson — and Vibrations aka Ghosts, with Murray and Gary Peacock from the Spiritual Unity session the same year, plus Don Cherry hard-wired straight into the mains.
Surrealists go on about ‘convulsive beauty’. Surely this is it, no frills.
Way too spiritual and too jazz to pass for Spiritual Jazz.
Smartly presented, with re-mastered sound, excellent notes, and royalties going to the Ayler estate.

‘Verve By Request.’

Crucial live and radio recordings with Don Cherry, Sonny Murray and Gary Peacock.