Stylishly reined-in, Southern-flavoured, churchy soul — same neck of the woods as Aretha — half recorded in Memphis by Jackie’s cousin Dave Crawford, including her smash hit Precious, Precious, with the Memphis Horns in full effect (and Dr. John, on Time); and half at Sigma, with Earl Young, Bobby Eli and co.
(Jackie Moore is well-known but under-rated. Try to track down the CD set The Complete Atlantic Recordings for a bunch of killer previously-unreleased sides.)

Fourteen new pieces of organic beat music cut from the original sessions in New York, Chicago, London and Los Angeles, featuring Brandee Younger, Tomeka Reid, Dezron Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson.

Warmly welcome, expertly recorded, new saze music from southern Albania, upholding its traditional, stunning mix of drones, in-your-face a cappella, and rootsy, virtuosic instrumentalism — in this case, violin, clarinet, lute and percussion. Produced by Joe Boyd.
Try searching out Albanian Village Music (78s from 1930 reissued by Heritage). Other-worldly and heart-stopping; totally knockout.

Wholesome digi-roots bumper from 1990; rinsed by Shaka in the day.

Funk scorchers from the house band at FAME in 1969. Freeman Brown, Jesse Boyce, Clayton Ivey, Junior Lowe… Knockout sevens like Grits And Gravy and Turn My Chicken Loose — equal parts Meters, MGs, JBs — with a heap of top-notch stuff out here for the first time.

Sweet, implacably socialist lovers, re-phrasing the Still Cool classic beloved by Shaka (and its metrical debt to Jah Jah See Them A Come).
Produced by Adrian Sherwood; with George Oban from the original Aswad crew, playing bass.

‘Arguably the rarest LP of European free jazz, recorded in 1963 for the Danish label Sonet, but not fully released. Impossibly uncommon, exceptionally wonderful music, featuring an extended tenor saxophone solo by Frits Krogh, influenced by Sonny Rollins, but strikingly his own man. The rhythm section is deep into non-metrical time, and comparisons to Cecil Taylor are valid, though Prehn’s playing favours chords and clusters over linear runs. For the CD, the two tracks of the original LP, mastered from both extant copies of the test master, are augmented by a single track from 1966, never before released.’

Legendary free jazz recordings from 1964 and 1965, with the Danish pianist alongside Fritz Krogh on tenor saxophone, Poul Ehlers on bass, and Finn Slumstrup on drums.
‘Close-miked percussive sax-pad treatments that swing like mad and give the music a VERY radical profile and color,’ writes Mats Gustafsson in his liner notes. ‘I have NEVER heard anything like it.’

The brilliant trumpeter’s final album as leader, from 2007 — fresh, nimble, exuberant, reaching, with Billy Bang on violin and Bryan Carrott on vibraharp.

‘High energy beats from the kings of Bamako’s sound-system street-party scene, as featured on the Balani Show compilation. Cut-up samples of baliphones, djembes and talking drums, spliced together into heavy studio tracks. Future bass sounds — a Malian mix of kuduro, decale, dancehall, and trap.’
Scarce.