‘Dizzying close harmonies and indestructible grooves on this lost classic from Ethiopia’s Golden Age.
‘Raised in the bustling cosmopolitan milieu of late-empire Addis Ababa, two young women released one single and a full-length LP in 1976, before disappearing from the music business entirely. Originally released on Kaifa, the label responsible for some of the heaviest and funkiest Ethiopian records of all time, Beauties was a hit, selling out in a few days. But it came out at the beginning of two decades of darkness and oppression in Ethiopia, and this is the first full reissue of this overlooked classic.
‘Beauties is at once totally unique and an amalgamation of all that came before it during Ethiopia’s explosive two decades of creativity in the 60s and 70s. Fans of Ethio-jazz will hear Mulatu in the dark, minor-key piano runs, turning in on themselves on songs like Amlak Abet Abet and Metche Neow. Interlocking percussion and rock steady basslines are a signature of the Army Band, which also backed greats like Tlahoun Gesesse and Mahmoud Ahmed. Arranger Teshome Sisay is also an incredible flutist, playing with both sensitivity and swagger on tracks like the majestic Ayinouma.
‘But the vocals are the most stunning part. Aselefech and Getenesh met at the legendary Hager Fikir Theatre in Addis, where centuries-old Ethiopian culture combined with the modern music of the capital’s elite. Trained in traditional music, their dual vocals lead in extremely close harmony, intertwined and infinitely creative in their phrasing.
‘By the time this record was released, the Derg Regime was imposing strict crackdowns on music and artistic expression. Targeted as allies of the deposed Emperor Haille Selassie, the artists (and most musicians) had to keep a low profile. This is one of the last great releases of the Ethiopian Golden Era.’

With Joshua Abrams, Hamid Drake, Jonathan Doyle, and Josh Berman.

‘At the beginning of 2017, Chicago vibraphonist Jason Adasiewicz brought a quintet into the hallowed halls of Electrical Audio, Steve Albini’s legendary studio, to record the soundtrack for a new film, Roy’s World: Barry Gifford’s Chicago, a documentary by Rob Christopher based on the Roy’s World series of short stories by Barry Gifford.
‘It’s really an ensemble effort, the spotlight on the gorgeous compositions and spacious sensibility, a perfect complement to Christopher’s fascinating, beautiful film, which has a noir vibe set in a fifties version of the Windy City conjured by means of vintage found footage, narration by Willam Dafoe, Matt Dillon, and Lilli Taylor, and Adasiewicz’s score. Check the balafon-led groove of Blue People, nodding to Fela… and bluesy, swinging charts throughout, with elements that might recall the post-hard-bop Blue Note records of folks like Andrew Hill, Sam Rivers, and Grachan Moncur III, Roy’s World is more than a great soundtrack record, it’s a killer programme of new tunes played by a monstrously strong band recorded and mixed at one of the world’s finest studios.’

Adrian Sherwood marshals Bruce Smith, Keith Levene, Ari Up, and Crucial Tony; and George Oban, Eskimo Fox, and Style Scott, from African Head Charge.

The great Don Carlos riding heavyweight Aggrovators, honed by Scientist. Sly & Robbie hosting at Channel One.
Spread out, spread out, and rock this a music.