Mr Pitiful at his most powerful, with the MGs in 1965.

Scene-shifting 1967 recordings of three compositions by Annette Peacock. “Critics introduced new terms, describing this music as sparse, understated, minimal, radically lyrical,” she remembers.

From the US, Colombia, Nigeria, Sweden, South Korea, Thailand and Iran.

Leading a masterly lineup of John Hicks, Ray Drummond and Idris Muhammad in 1991.
A couple of waltzes, a blues, a Monk-ish suite-like piece, a free-ish drums and clarinet interlude, and finally an elegy for civil rights leader Fannie Lou Hamer.
Murray plumbs and soars: often it sounds like two different instruments are being played.
Superbly recorded, with gripping warmth and intimacy; originally released in Japan on CD only, by DIW.
Highly recommended.