Toddler at the control tower, over heavier-than-lead Roots Radics. Scientist cuts the dub right back to the bone.

Fab Phang chugger. Barrington kills it; grooving dub.

Baby Whale doses a cross between classic Chicago house and E2-E4 with a no-prisoners boogie bassline and piano chords glistering in from Rimini. JV’s signature spaced-out production assures a head-turning dancefloor banger for the 4am crew.
Adam & Eve is an intriguing mix of exotica and Arthur Russell. ‘The sound of Matisse,’ says the label.

Up from down under, following crucial releases on his own Body Language imprint, LJ shifts gears and steers his intricate sound-world — torn between house and ambient, with Larry Heard’s Alien LP coursing through — into deeper, more techno-infused waters.
Watch out for The Centre Of Time, evoking over its twenty minutes both the arctic vapour of Vletrmx21-vintage Autechre and the expansiveness of Vangelis in full flight.
Next-level stuff from Berceuse Heroique.

The class Spinners version for Lloyd Charmers, as featured on Darker Than Blue.

Trump-card trumpet version of Joyride, aka Riding West.

In the sixties they shared bills with every gospel superstar going (not to mention Little Bald Head Johnny, who had no tongue, and Mule Man, who presumably had a big willie and pendulous balls).

Rollicking, mid-sixties, post-Skatalites ska thriller, led by Bobby Ellis and Roland Alphonso, with slightly different soloing to the original release.
Backed with a charming, forsaken, rare Summertairs: ‘I love you, Errol… come back today… but not too late… Errol, my dear.’

Winston Jarrett fronting a characteristically rugged, deep-funk Family Man rhythm.

An ace, urgent version of Joe South’s stinging denunciation.
Easy to imagine Andy and South — who also wrote Walk A Mile In My Shoes — getting on very well together.

Murderous southern funk from the dawn of the seventies, featuring brilliant fatback drumming by Freeman Brown and cooking organ by Clayton Ivey. Fittingly, producer Mickey Buckins lets off a siren on the flip.

An anti-war garage-punk onslaught from 1966, doing Bo Diddley proud.
Backed here by The Leaves (plus drummer Don Conka from Love), BJ knocked around with everyone from the Rolling Stones to Frank Zappa.
Anyway… they brought it to Jerome.