Ritchie McDonald from the Chosen Few rides Glen Brown’s stunning Dirty Harry rhythm.
Dark, haunted, portentous singing — a dream-like blend of Barry White and Keith Hudson — over some of the heaviest, most concussive reggae music of all time.
On the flip, Tommy McCook props up the body and kills it again.
Almighty, off-the-scales roots. Completely unmissable.

“Tune into the king of sounds and blues, that you will never refuse, you gots to pick and choose before you lose. On the Pantomine label. Crossroads, Caledonian Place, you know where. Do it to it, Gods Sounds, y’know.”

1975 sequel to KT Meets The Upsetter At The Grass Roots Of Dub. Here’s Steve Barker in The Wire: ‘a chance to hear it as it should be heard, containing as it does a few moments of sheer Tubby magic, including Unit Dub, a pure and simple drum and bass outing with the bassline mixed up front and twisted through filters while a shrilly splitting hi-hat is left to steer the riddim. Definitely in the top ten of all Tubby dub mixes.’

Bunny Lee Boss Sounds, 1969-70. Musical aggro from hornsmen Roland Alphonso, Tommy McCook, Lester Sterling and co, plus foundational deejaying by D Tony Lee, U Roy, and Jeff Barnes, and nuff organ. Sleeve notes by Noel Hawks.