His gone, meditative 1965 debut, already steeped in Eastern modalities and Indian mysticism. The opener is based on a Ravi Shankar raga; Bardo Blues is a musical rendition of the Tibetan Book Of The Dead.
Both the 1963 and 1967 recordings of this material.
From 1979 — mainly solo, reworking old themes and melodies, and updating his cover versions to include more contemporary guitarists, even proteges like Leo Kottke.
Fahey’s first recordings, from 1959, plus re-recordings of the same material from 1964, and 1967.
Solo in 1980.
Heartfelt hymns and songs of praise, deconstructed and rebuilt. Sometimes reverent, sometimes raging, sometimes playful, always spellbinding. ‘Christ Is Not Cute’ runs the Fahey quote on the sleeve. A beauty.