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Heavy, meditative Tuareg rock.
‘If you listen long enough, and make yourself open enough, it is possible to reach a kind of holy place’ (The New Yorker).
‘High energy beats from the kings of Bamako’s sound-system street-party scene, as featured on the Balani Show compilation. Cut-up samples of baliphones, djembes and talking drums, spliced together into heavy studio tracks. Future bass sounds — a Malian mix of kuduro, decale, dancehall, and trap.’
Scarce.
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