‘The Musiques Vertes project began in south east France during the late 1970s, spearheaded by Christine Armengaud, who was investigating a long tradition of musical instruments made with organic materials and plants. With the help of elderly people in the region, she was able to construct 240 instruments, long used for bird calling, dancing, as the toys of young shepherds and children, and much more, but which had been lost to common usage following the First World War.
‘In 1980 Jean-Yves Bosseur initiated a programme of collective music-making using the instruments reconstructed by Armengaud. Rather than working with professional musicians, he preferred locals and children he encountered in Aix-en-Provence between 1981 and 1982. Recorded by the legendary French ornithologist and wildlife field recordist Jean-Claude Roché, the Musiques Vertes album presents eleven musical excursions, utilising a series of instructions or games set up by the composer to encourage collective musical exchange, as well as a dialogic exchange between this practice and active listening within a natural environment.
‘Bubbling textures and atonalities, blended with sounds from the natural environment, intermingle with staggering birdsong-alike tonalities and rattling percussive passages, producing striking moments of abstraction that retain a remarkable sense of humanity and ease. A document of pure sonic magic and stunningly organic creativity.’
A magical record by this Italian actor in films by the likes of Bertolucci and Leone. Alvin Curran, Steve Lacy, and Roberto Laneri from Prima Materia are amongst her co-conspirators in its dream-like menagerie of styles and textures, setting poems by Aldo Braibanti (who’d been banged up — people say framed — for a much more grievous kind of ‘psychological kidnapping’ just a few years earlier). Enchanting stuff, beautifully presented by Holidays in Milan, including a pamphlet of the lyrics, with English translations. Originally released in 1974 by RI-FI.
Horse Sacrifice was performed on Danish TV in 1970, as a protest against the Vietnam War.
It hinges on a haunting, fragile song entitled My Dead Horse, with Lene Adler Pedersen accompanied by Bjørn Nørgaard on piano, and HC on violin. This beautiful, sad lullaby is as simple, precious and unusual as anything in Christiansen’s output. Previously unreleased.