Honest Jons logo

‘Turbocharged highlife from 1980s Ghana… It opens in fine style with Nka Bom, horns sharply descending over a disco bassline, with a triumphant electric piano solo and a lengthy percussion interlude. Other highlights include the growling Gbenta, with a bluesy bassline and machine-gun drumming, and the trumpet voluntary and dubby choral singing on Moonlight Africa’ (Financial Times).
Produced by Eno, who discarded his own contributions as ‘clumsy and unnecessary compared to Edikanfo’s witty, light funkiness… What they’d given me was finished — there was nothing else I could add.’

Warmly welcome, expertly recorded, new saze music from southern Albania, upholding its traditional, stunning mix of drones, in-your-face a cappella, and rootsy, virtuosic instrumentalism — in this case, violin, clarinet, lute and percussion. Produced by Joe Boyd.
Try searching out Albanian Village Music (78s from 1930 reissued by Heritage). Other-worldly and heart-stopping; totally knockout.

Scorching live recordings from a knockabout Bamako club in 1995, with Lobi putting his new flanger through its paces. Easing in with the soulful, hypnotic Ni Tugula; Sigui is down to business.

The last living master of surti singing, a precursor of the ancient Islamic devotional music of qawwali. Wonderful.