A fourth quartet of masked mongrels. First up, a slo-mo heart-melter, spiked with scraps of misty-eyed soul; then Soul Seeker keeps things rolling with swinging 2-step drums and bittersweet vocal snippets. On the flip, the outer limits of the LA beats sound get nasty with foundation dubstep — a mid-tempo slugger from another planet, on a mission to scrunch rude boy’s bass-cones into the dust — before U & I draws the EP to a close, in an anthemic haze of vapour-wave synths and skeletal percussion.

RnB from Bristol, freaked, chopped ‘n’ screwed, but with its sensuality and slickness intact, for maximum dancefloor worries.
Four anonymous, strongly individual commissions from around the world: A1 is dubwise; Hit It Tool runs bumping 2step drums into Bmore breaks; B1 floats pitched-up vocal samples and misty-eyed rave chords, up and away; 2ON calls time with a wan club shuffle.

Another irresistible instalment of reanimations.
Brandy Tool is ambient but hypnotic; Miss You Anymore patches angelic, stone-cold-classic RnB straight through to the G-Phone; Babylon is melancholic, slo-mo grime; the stripped Girls Need Love Too is equal parts sweet and spooky.

Four more contagiously skewed re-rubs from the mysterious maestros.
Mais Que Amor is a failsafe dancefloor re-animator, slinkily teasing out a screwed trap intro dotted with pitched vocals. Next level Next. Ride With Me is wild and bruk, with dirty south samples. Ize Kashmir keep things rolling for the heads-down crew on the flip, with its dank, bare-bones dub to close.